Saturday, October 21, 2017

Rudra - Sanskrit: रुद्र


Rudra (/ˈrʊdrə/; Sanskrit: रुद्र) is a Rigvedic deity, associated with wind or storm and the hunt. The name has been translated as "the roarer". In the Rigvedaऋग्वेद , Rudra has been praised as the "mightiest of the mighty". Rudra is the personification of 'terror'. Depending up on the poetic situation, Rudra can be meant as the most severe roarer/howler (could be a hurricane or tempest ) or the most frightening one. The Shri Rudram hymn from the Yajurvedaयजुर्वेद is dedicated to Rudra, and is important in the Saivism sect. 

The Hindu god Shivaशिव shares several features with the Rudra: the theonym Shiva originated as an epithet of Rudra, the adjective shiva("kind") being used euphemistically of Rudra, who also carries the epithet Aghora, Abhayankar ("extremely calm [sic] non terrifying").Usage of the epithet came to exceed the original theonym by the post-Vedic period (in the Sanskrit Epics), and the name Rudraरुद्र has been taken as a synonym for the god Shivaशिव  and the two names are used interchangeably.

Etymology

The etymology of the theonym Rudra is somewhat uncertain. It is usually derived from the root rud- which means "to cry, howl." According to this etymology, the name Rudra has been translated as "the roarer". An alternative etymology suggested by Prof. Pischel derives Rudra as "the red one, the brilliant one" from a lost root rud-, "to be red" or "to be ruddy" or respectively, according to Grassman, "to shine". A Rigvedic verse "rukh draavayathi, iti rudraha" where 'rukh' means sorrow/misery, 'draavayathi' means to drive out or eliminate and 'iti' means that which or he who, implies 'Rudra' to be the eliminator of evil and usherer of peace.

Stella Kramrisch notes a different etymology connected with the adjectival form raudra, which means wild, i.e. of rudra nature, and translates the name Rudra as "the wild one" or "the fierce god". R. K. Sharma follows this alternate etymology and translates the name as "the terrible" in his glossary for the Shiva Sahasranama. The commentator Sāyaṇa suggests six possible derivations for rudra. However, another reference states that Sayana suggested ten derivations. 

The adjective shivam in the sense of "propitious" or "kind" is applied to the name Rudra in RV 10.92.9. According to Gavin Flood, Shiva used as a name or title (Sanskrit śiva, "the kindly/auspicious one") occurs only in the late Vedic Katha Aranyaka, whereas Axel Michaels asserts that Rudra was called Shiva for the first time in the Śvetāśvatara Upanishad. 

Rudra is called "the archer" (Sanskrit: Śarva) and the arrow is an essential attribute of Rudra. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages. The word is derived from the Sanskrit root śarv- which means "to injure" or "to kill" and Sharma uses that general sense in his interpretive translation of the name Śarva as "One who can kill the forces of darkness". The names Dhanvin ("bowman") and Bāṇahasta ("archer", literally "Armed with arrows in his hands") also refer to archery.

In other contexts the word rudra can simply mean "the number eleven". The word "rudrakshaरुद्राक्ष" (Sanskrit: rudrākşa = rudra and akşa"eye"), or "eye of Rudra", is used as a name both for the berry of the Rudraksha tree, and a name for a string of the prayer beads made from those seeds. 

Rigvedic hymns

The earliest mentions of Rudra occur in the Rigveda, where three entire hymns are devoted to him. There are about seventy-five references to Rudra in the Rigveda overall. 

Epithets of fierceness and fright

In the Rigveda Rudra's role as a frightening god is apparent in references to him as ghora ("extremely terrifying"), or simply as asau devam ("that god"). He is "fierce like a formidable wild beast" (RV 2.33.11). Chakravarti sums up the perception of Rudra by saying: "Rudra is thus regarded with a kind of cringing fear, as a deity whose wrath is to be deprecated and whose favor curried." 

RV 1.114 is an appeal to Rudra for mercy, where he is referred to as "mighty Rudra, the god with braided hair." 

In RV 7.46, Rudra is described as armed with a bow and fast-flying arrows. As quoted by R. G. Bhandarkar, the hymn says Rudra discharges "brilliant shafts which run about the heaven and the earth" (RV 7.46.3), which may be a reference to lightning. 

Rudra was believed to cure diseases, and when people recovered from them or were free of them, that too was attributed to the agency of Rudra. He is asked not to afflict children with disease (RV 7.46.2) and to keep villages free of illness (RV 1.114.1). He is said to have healing remedies (RV 1.43.4), as the best physician of physicians (RV 2.33.4), and as possessed of a thousand medicines (RV 7.46.3). This is described in Shiva's alternative name Vaidyanatha (Lord of Remedies).

Rudra is used both as a name of Shiva and collectively ("the Rudras") as the name for the Maruts. Maruts are "storm gods", associated with the atmosphere. They are a group of gods, whose number varies from two to sixty, sometimes also rendered as eleven, thirty-three or a hundred and eighty in number (i. e. three times sixty, see RV 8.96.8.).

The Rudras are sometimes referred to as "the sons of Rudra", whereas Rudra is referred to as "Father of the Maruts" (RV 2.33.1). 

Rudra is mentioned along with a litany of other deities in RV 7.40.5. Here is the reference to Rudra, whose name appears as one of many gods who are called upon:
“This Varuṇa, the leader of the rite, and the royal Mitra and Aryaman, uphold my acts, and the divine unopposed Aditi, earnestly invoked: may they convey us safe beyond evil. I propitiate with oblations the ramifications (vayāḥ) of that divine attainable Viṣṇu, the showerer of benefits. Rudra, bestow upon us the magnificence of his nature. The Aśvins have come down to our dwelling abounding with (sacrificial) food.” 

Post-Rigvedic hymns

In the various recensions of the Yajurveda is included a litany of stanzas praising Rudra: (Maitrāyaṇī-Saṃhitā 2.9.2, Kāṭhaka-Saṃhitā 17.11, Taittirīya-Saṃhitā 4.5.1, and Vājasaneyi-Saṃhitā 16.1–14). This litany is subsequently referred to variously as the Śatarudriyam, the Namakam (because many of the verses commence with the word namaḥ [`homage`]), or simply the Rudram. This litany was recited during the Agnicayana ritual ("the piling of Agni"), and it later became a standard element in Rudra liturgy.

A selection of these stanzas, augmented with others, is included in the Paippalāda-Saṃhitā of the Atharvaveda (PS 14.3—4). This selection, with further PS additions at the end, circulated more widely as the Nīlarudram (or Nīlarudra Upaniṣad).

Sri Rudram

The President of the Ramakrishna Mission, at Chennai, in commentating on the foreword to Swami Amritananda's translation of Sri Rudram and Purushasuktam, stated that "Rudra to whom these prayers are addressed is not a sectarian deity, but the Supreme Being who is omnipresent and manifests Himself in a myriad forms for the sake of the diverse spiritual aspirants." Sri Rudram occurs in the fourth Kanda of the Taittirya Samhita in the Yajur Veda. It is a preeminent Vedic hymn to Lord Shiva as the God of dissolution, chanted daily in Shiva temples throughout India." 

The prayer depicts the diverse aspects of the Almighty. The Shri Rudram hymn is unique in that it shows the presence of divinity throughout the entire universe. We cannot confine the qualities of the divine to those that are favorable to us. The Lord is both garden and graveyard, the slayer and the most benevolent one. The Almighty is impartial and ubiquitous. 

In it Rudra is described as the most dreaded terroriser (frightening).Sri Rudram describes Rudra the vedic deity as the personification of 'terror'. Rudra comes from 'Ru' meaning '"Roar or Howl" (the words 'dreaded' or 'fearsome' could only be used as adjectives to Rudra and not as Rudra, because Rudra is the personification of terror); 'dra' is a superlative meaning 'the most'. So Rudra, depending on the poetic situation, can be meant as 'the most severe roarer/howler' - could be a hurricane or tempest - or 'the most frightening one'.

Text adepted from wikipedia


Monday, August 7, 2017

Patung Dewa Ruci at Nusa Dua , Denpasar , Indonesia

The story of "Dewa Ruci" describes a Disciple's obedience to the Teacher, and hard struggle to achieve something. This Story from Epic "Mahabharta" महाभारत is immortalized and well depicted in the form of Statues. A Marvelous piece of Sculpture.

Patung Dewa Ruci at Nusa Dua , Denpasar , Indonesia 


The Statue of "Dewa Ruci" recounts the journey of Bimasena भीम when "Rishi Drona" ऋषि द्रोण  asked him to fetch "Tirtha Amertha" अमृत  from the Ocean. Bima भीम dived in to the bottom of the ocean, where he met Nemburwana Dragon ( Naga) नाग  . There was a fierce battle between the two. During the fight the Naga wrapped around Bima's body and Bima choked the Naga's neck and drove his Nails (Gada गदा ) to the Naga neck. Naga was killed with nail  piercing by 'Pancanaka' Bima. Due to  exhaustion the Naga was almost dead and from the body of Naga , Dewa Ruci appeared in the form of "Sang Hyang Acintya" giving Life Philosophy discourse to Bima. Honest and Tough and Ksatriya Bima accepted Amertha's Tirta from Dewa Ruci.

Hyang in Kawi, Javanese, Sundanese, and Balinese is an unseen Spiritual Entity that has Supernatural Power in Ancient Indonesian Mythology. 
Acintya also Atintya (Sanskrit: "the unthinkable", "the Inconceivable", "He who cannot be imagined"), also Tunggal (Balinese: "Unity") is the Supreme God of Indonesian Hinduism , especially on the island of Bali )

This story of the Sculpture inspired from Epic Mahabharta महाभारत , the parts of the Statue includes -

1. The top God  Ruci is " Sang Hyang Acintya" (Dewa Ruci figure)
2. The human statue is Bima 
3. The Naga Baruna in angry form
4. At the bottom the wave of Water (Ocean) surrounded by water pool Fountains that symbolize the sound of the Ocean during the battle between Naga and Bima.


1. The Top God Ruci is " Sang Hyang Acintya" (Dewa Ruci figure)

2. The human statue is Bima भीम 

3. The Naga Baruna in angry form , Pierced by Bheema with his Nail गदा 







4. At the bottom the wave of Water (Ocean) surrounded by water pool 
Fountains that symbolize the sound of the Ocean during the battle between Naga and Bima.

The statue of Dewa Ruci is made by the great Balinese Sculptor named I Wayan Winten , who inherited this expertise from his father . I Wayan Winten began to pursue the world of sculpture since the age of 7 years. He produced many famous concrete base material Statues.

The statue of Dewa Ruci was built in 1996. The name of Dewa Ruci is very famous in Indonesia and Indonesian Navy Ship TNI is named after Dewa Ruci. 

This statue tells the journey of Bima (Werkudara) when he went to fetch the Amertha Tirta. The statue is also referred as the statue of Bima. As per Indonesian version , Bima is an honest, innocent, brave, loyal and innocent person and his innocence and loyal friendship is misused by Kurawa कौरव through Rishi Drona (Teacher of Bima) to look for the Tirthas Amertha (Tirta life) situated on the seabed and impossible to find. After his struggle into the Southern Ocean which was occupied by the Neburwana Naga (Naga Baruna) , the Naga was defeated.

The Statue of Dewa Ruci is located at the crossing of Nusa Dua - 1.  Airport to Denpasar, 2. Nusa Dua, 3.  Airport to Tanah Lot and 4. Sanur to Kuta .



Wednesday, July 26, 2017

Fish - Ganesha Statue at Nusa Dua Beach Temple , Denpasar , Bali , Indonesia


Ganesha statue in Fish shape dedicated to Nusa Dua Beach , Denpasar , Bali , Indonesia. 

A very rare and unique  Balinese version of Ganesha in the shape of Fish.  Statue is situated in the small Temple at Nusa Dua Beach , Denpasar , Bali , Indonesia. It catches your eyes with its Sea Blue Color suggestive of Sea - Marine Culture of Indonesia. And as per Balinese version Fish Gaesha is beautifully adorned with Golden embellishments.

What a marvelous example of  Culture and Religion ?  This is the beauty of Indonesia ... 

Indonesia Tradition ... A DwaarPal at the entrance of the Temple as the Protector.


Temple at the Sea Beach ..




Wednesday, July 12, 2017

Patung of Satria Gatotkaca at International Airport Bali , Indonesia

Statue of Satriaक्षत्रिय Gatotkacaघटोत्कच at International Airport Bali , Indonesia

Satria GatotKaca statue stands Majestically and Proudly in the middle of the intersection of northeast of International Airport Bali and is one of the attractions of Badung Regency. The Statue of  Legendary Satriaक्षत्रिय GatotKacaघटोत्कच is one of the first sights to greet visitors arriving at the Ngurah Rai International Airport Bali , Indonesia.

The statue represents part of the epic story of Mahabharataमहाभारत.

Battle between GatotKacaघटोत्कच and Prince Karnaकर्ण

Statue , Built in 1993 depicts GatotKacaघटोत्कच, a courageous and powerful knight, the son of Bimaभीम  one of the five Pandawa brothersपांच पांडव. He is identified as a flying knights who is responsible for air defense and security protection for the Pandawa Kingdom.

This statue depicting a battle between GatotKacaघटोत्कच on Pandawa side, against Prince Karnaकर्ण  whose horse-cart was coachmanned by King Salyaशल्य  of Kurawaकौरव side in the Mahabharat Yudha . Gatot Kaca sacrifices himself to save Arjunaअर्जुन  as a victim of Karna’s deadly weapon, Konta, which can be used only once. 



The erection of the statue apart from being a landscaping project around the Airport, is also believed to lend Spiritual protection and safety - security for all incoming and outgoing flights and Tourists who are visiting Bali.

Life size Horses and intricate ornate detailing makes this Statue a Piece of ART.

Statue is surrounded by a circle of Lotus Flower Petals. Lotus is considered Sacred and Pious in Indonesian Culture. 

Beautiful Ornate Elephant Head with water Fountain.

Beautifully depicted Garudaगरुड़  and SheshNagशेषनाग 

Life size Horses - Master Pieces of Craft-man ship.  Intricate Ornate details makes this Sculpture Stunning and Marvelous


Ghatotkachaघटोत्कच

Ghatotkacha (Sanskrit: घटोत्कच Ghaṭōtkaca "Bald Pot") is an important character in the Mahabharata. His name comes from his head, which was hairless (utkaca) and shaped like a ghatam. Ghatotkacha was the son of the Pandava Bhima and the Rakshasi Hidimbi. His maternal parentage made him half-Rakshasa and gave him many magical powers such as the ability to fly, to increase or decrease his size and to become invisible. He was an important fighter from the Pandava side in the Kurukshetra war.

Ghatotkacha was born to Hidimbi and the Pandava Bhima. When traveling the countryside with his brothers and mother as a brahmin, having escaped the lakshagraha, Bhima saved Hidimbi from her wicked brother Hidimba. Soon after Ghatotkacha was born, Bhima had to leave his family, as he still had duties to complete at Hastinapura. Ghatotkacha grew up under the care of Hidimbi. One day he received a pearl which he later gave to his cousin Abhimanyu. Like his father Ghatotkacha primarily fought with the mace. Lord Krishna gave him a boon that no one in the world would be able to match his sorcery skills (except Krishna himself). His wife was Ahilawati and his sons were Barbarika and Meghvarna.

In the Mahābhārata, Ghatotkacha was summoned by Bhima to fight on the Pandava side in the Kurukshetra battle. Invoking his magical powers, he wrought great havoc in the Kaurava army. In particular, after the death of Jayadratha on the fourteenth day of battle, when the battle continued on past sunset, his powers were at their most effective.

At this point in the battle, the Kaurava leader Duryodhana appealed to Karna, to kill Ghatotkacha as the whole Kaurava army was coming close to annihilation due to Ghatotkacha's attacks. Karna possessed a divine weapon called the Vasavi Shakti, granted by the god Indra. Only able to use it once, Karna had been saving it for his battle with his rival, Arjuna. Unable to refuse Duryodhana, Karna discharged the weapon against Ghatotkacha, killing him. It is said that when Ghatotkacha realized that he was going to die, that he assumed a gigantic size. When the huge body fell, it crushed one akshauhini of the Kaurava army. After his death Krishna was glad Karna no longer had Vasavi Sakthi to use against Arjuna. 

Source : Text adapted from Wikipedia.





Monday, June 26, 2017

Patung Brahma Lerare - Lord Brahma Statue as an Infant in Bali , Indonesia

Patung Brahma Lerare  - Lord Brahma Statue as an Infant in Bali , Indonesia


This statue is very popular with the title " Baby Statue ". This figure is depicting Brahma as an infant. "Brahma Lerare" or "Brahma Rare" in Indonesian means "Lord Brahma as a Baby".
This statue is defined as a holy birth. God Brahma is a Manifestation of God as Creator. The birth of any Artwork or anything is expected on the basis of a Sacred thought and purpose, as the birth of an Innocent , Holy and Pure Child.


This Statue is located at Tigers Sakah - Blahbatuh -Mas , Gianyar , Bali , Indonesia.

Monday, February 13, 2017

Patung Pandawa Lima - Statues of Five Pandavas at Klaten Regency , Central Java , Indonesia


Patung Pandawa Lima -  Statues of Five Pandavas at Klaten Regency , Central Java , Indonesia 

Above Five Pandavas Statues are at the intersection of Five Bramen Klaten, , Jalan Mayor Kusmanto, Central Klaten (Regency) , Central Java , Indonesia . The concept of the construction of the Monument Bramen is Javanese Culture.


The monument has an area of ​​about around 8.5 square meters with a height of eight meters .

5 Pandawas statues are constructed at a round about . These huge sculptures are stunningly painted GOLD . Among the Statues of Five Pandavas (पांडव), the Stature of Bima (भीम) / Werkudara is located at the top and four other statues of Yudistira (युधिष्ठिर)/ Puntadewa , Arjuna (अर्जुन)/ Janaka , Nakula and Sadewa (नकुल व सहदेव) , surrounding  Bima (भीम) statue slightly at a lower Platform below. A fountain at the monument is enhancing the beauty of the Five Sculptures.

Stature of Bima (भीम) / Werkudara is located at the Top

Yudistira (युधिष्ठिर)Puntadewa

Arjuna (अर्जुन)Janaka

Nakula and Sadewa (नकुल व सहदेव)

Nakula and Sadewa (नकुल व सहदेव)

Lotus Flower - A symbol of Peace and Prosperity in Javanese Culture 

Lotus Flower - A symbol of Peace and Prosperity in Javanese Culture 

Klaten is a Regency in Central Java Province in Indonesia. 

Klaten borders on Boyolali Regency in the North, Sukoharjo Regency and Wonogiri Regency in the East, and Special Region of Yogyakarta to the South and West. Candi Prambanan, one of the biggest Hindu structures in Indonesia, is in the Regency.
As Klaten is located near the active Mount Merapi volcano in Central Java , the 2006 Yogyakarta earthquake and 2010 eruptions of Mount Merapi had a great damaged impact on Klaten and its surrounding areas .



Monday, December 5, 2016

Arjuna Wijaya statue at Boyolali , Simpang Lima, Indonesia

Arjuna Wijaya statue at  Boyolali ,  Simpang Lima , Central Java , Indonesia



Arjuna Wijaya statue With 13 Horses a New Icon at District Boyolali City has height of 25 meters and 24 meters in length . Approximately 6 billion budget was spend over Sculptures which gives an stunning overview of Shree Krishana - Arjuna Chariot with 13 Horses pulled back from the war , symbolizing the fighting spirit.

This statue is a magnificent asset and high artistic value to the Indonesians. "Arjuna Wijaya" statue in Boyolali is the largest statue with the highest number horse in Indonesia. Another earlier larger statues and sculptures of Krishana - Arjuna Chariot are smaller . 

Arjuna Wijaya statue is one of the many iconic icons built in Boyolali at Intersection Simpang Lima . 

Wednesday 28/10/2015 , 13 statues of horses, a Chariot sculpture, Sculpture Arjuna and Krishna statue, arrived at the site. The statue driven to the installation site in three containers and a truck from the manufacturing factory , Yogyakarta (Central Java) Indonesia.

Dozens of workers were deployed to put up a statue. Statue of a horse were wrapped in plastic to avoid any damage and abrasions , slowly lifted by a crane to be placed on the foundation.

Mr. Dunadi, an Independent Studio owner and a sculptor explained that workmanship of Arjuna Wijaya statue took around six months. Boyolali Regency flushed up to 6 billion budget for the creation of the Statue of Arjuna Wijaya. The process started with the creation of drawings, mock-ups, models, till the finalization of printing process. "After the printing process started Copper Casting.