Showing posts with label Bhagvad Geeta . Mahabharta. Show all posts
Showing posts with label Bhagvad Geeta . Mahabharta. Show all posts

Monday, October 23, 2017

Pura Uluwatu (Uluwatu Temple) in Bali Indonesia



Pura (Luhur) Uluwatu (Uluwatu Temple) is Balinese Sea Temple ( Pura Segara ) located 30 kilometers to the South of Denpasar in Pecatu Village, Kuta Sub-district, Badung District , Bali . The Temple is regarded as one of the Six Sad Kahyangan Temples , the Main Spiritual Pillars in Bali Island. Temple is dedicated to Sang Hyang Widhi Wasa in his manifestation as Rudra.

Sea View from Cliff - Uluwatu Temple
The temple (pura in Balinese) is built at the edge (ulu) of a 70 meter high cliff or rock (watu) facing the Vast Indian Ocean. In folklore, this rock is said to be part of Dewi Danu's petrified barque , (Dewi Danu is the water goddess of the Balinese Hindus, who call their belief-system Agama Tirta, or belief-system of the water. She is one of two supreme deities in the Balinese tradition.)

There are two different opinions concerning the history of Uluwatu Temple.
1. First Opinions, Some people believe that the temple was built by Empu Kuturan in 9th AD, during Marakata’s reign.

2. Second Opinions, Other people claim that the temple was built by Dang Hyang Nirartha, a pedanda (Hindu monk) from Daha Kingdom (Kediri) in East Java. Dang Hyang Nirartha came to Bali in 1546 AD, during the reign of Dalem Waturenggong. The monk built Uluwatu Temple on Pecatu Hill. After completing a spiritual journey around Bali, the monk went back to Uluwatu Temple and died there. He attained moksa (died and his body vanished), leaving the Marcapada (worldly life) and entering Swargaloka (heaven).

The Balinese Hindus believe that the three divine powers of Brahma, Vishnu, and Siva become one here. That belief results in making Uluwatu Temple a place of worship of Siva Rudra, the Balinese Hindu deity of all elements and aspects of life in the universe. Uluwatu Temple is also dedicated to protect Bali from evil sea spirits.

The inner court is an open space paved with stone floor. There is a wooden building near the north gate. To the west, across from the entrance path, there is a Paduraksa Gate that opens the path into the next inner court. Unlike the ones found outside, this stone gate is completed with roof. The door is an arch framed with an arrangement of stones.There is a sculpture of a giant head above the frame. The top of the gate looks like a crown and it is decorated with relief sculpture. The gaps between the gate and the walls are filled with a surface full of relief sculpture. There is a small rectangular court to the south that stretches out above the sea.

God Ganesh Statue at the First Entrance Gate


There is a wooden construction at the end of the court that seems to be a place where people can sit and watch the ocean. Uluwatu Temple has undergone several restorations. In 1999, a lightning struck the temple and caused fire.

Lord Ganesh Statue at the First Entrance Gate

Uluwatu Temple sits on a 70-meter-high cliff protruding above Indonesian Ocean. Because of its unique location, visitors to the temple have to take a long stone stairway to reach it. The temple heads east, unlike other Balinese temples which face west or south. There are two doors at the end of the path, the north door and the south one, through which visitors enter the temple complex.

The entrance doors take the shape of stone Bentar gates. Standing across from each gate, there are two statues of elephant-headed men. The front part of the gate is decorated with fine relief sculpture picturing leaves and flowery patterns. Behind the gate, there are stone steps that lead to the inner court. Along the steps, trees are grown to provide shade.

A small forest lies at the front and hundreds of monkeys dwell here. They are believed to guard the temple from bad influences.

Temple view from the Cliff

The serpentine pathway to the temple is fortified by concrete walls on the cliff side. It takes about an hour to get from one end to another as there are several fenced points along the way to stop.

Sea bottom view from the Cliff

The view of the bottom of  water surging up against rocks and the ocean horizon are remarkable.

Every six months according to the Balinese 210-day Pawukon cycle, big temple anniversary celebrations are held at the temple. The temple's keeper, the royal family of Jro Kuta from Denpasar, are patrons for the event. Believers regard it as a manifestation of the divine power that protects Uluwatu Temple. Public facilities are available, but not in the temple area. Unlike some other tourist destinations in Bali, Pura Uluwatu area has limited amounts of hassling vendors.

Climbing the stairs to get a closer view of the pagoda temple we found most of the site closed off from visitors. many of the temples we visited in Bali to either be closed to visitors all the time or during periods of worship.

sea view and paths to the other side. It was beautiful and tranquil – for a while.

Statue of Kumbakarna Karebut - an angry “Monkey God"

When you walk back down the “down” path, you can catch a glimpse of the courtyard at the bottom adorned with a statue of Kumbakarna Karebut (what looked like an angry “monkey god”). Statues presented another one of the interesting faces of Bali we captured. The statue emotions were easy to understand. Maybe he was supposed to be keeping the monkeys in line at this site? But the monkeys did not seem to be listening. Not only did they accost you as you walked the paths, they made sure to be around to say goodbye as you were leaving!

The entrance fee included a sarong for each of us to cover our legs. We would _nd this a standard requirement at most of the Hindu temples we visited. If you bring your own sarong or have long pants or a long skirt, you will be ok without a Temple sarong. We found it interesting that you only had to cover your legs. Visitors have to wear a sarong and a sash, as well as appropriate clothes common for Temple visits. They can be hired here.

Kecak and Fire Dance Performance at the adjacent cliff-top

The best time to visit is just before sunset. Kecak and Fire Dance Performance is performed everyday at the adjacent cliff-top stage at 18:00 to 19:00.What makes it the most favourite venue to watch a Kecak dance is the sunset background of the performance.

The Piodalan or ceremony commemorating the temple’s anniversary is held on Anggara Kasih day, in wuku Medangsia in Caka calendar. Usually the ceremony lasts for three days thronged by of thousands of Hindus.



Wednesday, July 12, 2017

Patung of Satria Gatotkaca at International Airport Bali , Indonesia

Statue of Satriaक्षत्रिय Gatotkacaघटोत्कच at International Airport Bali , Indonesia

Satria GatotKaca statue stands Majestically and Proudly in the middle of the intersection of northeast of International Airport Bali and is one of the attractions of Badung Regency. The Statue of  Legendary Satriaक्षत्रिय GatotKacaघटोत्कच is one of the first sights to greet visitors arriving at the Ngurah Rai International Airport Bali , Indonesia.

The statue represents part of the epic story of Mahabharataमहाभारत.

Battle between GatotKacaघटोत्कच and Prince Karnaकर्ण

Statue , Built in 1993 depicts GatotKacaघटोत्कच, a courageous and powerful knight, the son of Bimaभीम  one of the five Pandawa brothersपांच पांडव. He is identified as a flying knights who is responsible for air defense and security protection for the Pandawa Kingdom.

This statue depicting a battle between GatotKacaघटोत्कच on Pandawa side, against Prince Karnaकर्ण  whose horse-cart was coachmanned by King Salyaशल्य  of Kurawaकौरव side in the Mahabharat Yudha . Gatot Kaca sacrifices himself to save Arjunaअर्जुन  as a victim of Karna’s deadly weapon, Konta, which can be used only once. 



The erection of the statue apart from being a landscaping project around the Airport, is also believed to lend Spiritual protection and safety - security for all incoming and outgoing flights and Tourists who are visiting Bali.

Life size Horses and intricate ornate detailing makes this Statue a Piece of ART.

Statue is surrounded by a circle of Lotus Flower Petals. Lotus is considered Sacred and Pious in Indonesian Culture. 

Beautiful Ornate Elephant Head with water Fountain.

Beautifully depicted Garudaगरुड़  and SheshNagशेषनाग 

Life size Horses - Master Pieces of Craft-man ship.  Intricate Ornate details makes this Sculpture Stunning and Marvelous


Ghatotkachaघटोत्कच

Ghatotkacha (Sanskrit: घटोत्कच Ghaṭōtkaca "Bald Pot") is an important character in the Mahabharata. His name comes from his head, which was hairless (utkaca) and shaped like a ghatam. Ghatotkacha was the son of the Pandava Bhima and the Rakshasi Hidimbi. His maternal parentage made him half-Rakshasa and gave him many magical powers such as the ability to fly, to increase or decrease his size and to become invisible. He was an important fighter from the Pandava side in the Kurukshetra war.

Ghatotkacha was born to Hidimbi and the Pandava Bhima. When traveling the countryside with his brothers and mother as a brahmin, having escaped the lakshagraha, Bhima saved Hidimbi from her wicked brother Hidimba. Soon after Ghatotkacha was born, Bhima had to leave his family, as he still had duties to complete at Hastinapura. Ghatotkacha grew up under the care of Hidimbi. One day he received a pearl which he later gave to his cousin Abhimanyu. Like his father Ghatotkacha primarily fought with the mace. Lord Krishna gave him a boon that no one in the world would be able to match his sorcery skills (except Krishna himself). His wife was Ahilawati and his sons were Barbarika and Meghvarna.

In the Mahābhārata, Ghatotkacha was summoned by Bhima to fight on the Pandava side in the Kurukshetra battle. Invoking his magical powers, he wrought great havoc in the Kaurava army. In particular, after the death of Jayadratha on the fourteenth day of battle, when the battle continued on past sunset, his powers were at their most effective.

At this point in the battle, the Kaurava leader Duryodhana appealed to Karna, to kill Ghatotkacha as the whole Kaurava army was coming close to annihilation due to Ghatotkacha's attacks. Karna possessed a divine weapon called the Vasavi Shakti, granted by the god Indra. Only able to use it once, Karna had been saving it for his battle with his rival, Arjuna. Unable to refuse Duryodhana, Karna discharged the weapon against Ghatotkacha, killing him. It is said that when Ghatotkacha realized that he was going to die, that he assumed a gigantic size. When the huge body fell, it crushed one akshauhini of the Kaurava army. After his death Krishna was glad Karna no longer had Vasavi Sakthi to use against Arjuna. 

Source : Text adapted from Wikipedia.





Monday, December 5, 2016

Arjuna Wijaya statue at Boyolali , Simpang Lima, Indonesia

Arjuna Wijaya statue at  Boyolali ,  Simpang Lima , Central Java , Indonesia



Arjuna Wijaya statue With 13 Horses a New Icon at District Boyolali City has height of 25 meters and 24 meters in length . Approximately 6 billion budget was spend over Sculptures which gives an stunning overview of Shree Krishana - Arjuna Chariot with 13 Horses pulled back from the war , symbolizing the fighting spirit.

This statue is a magnificent asset and high artistic value to the Indonesians. "Arjuna Wijaya" statue in Boyolali is the largest statue with the highest number horse in Indonesia. Another earlier larger statues and sculptures of Krishana - Arjuna Chariot are smaller . 

Arjuna Wijaya statue is one of the many iconic icons built in Boyolali at Intersection Simpang Lima . 

Wednesday 28/10/2015 , 13 statues of horses, a Chariot sculpture, Sculpture Arjuna and Krishna statue, arrived at the site. The statue driven to the installation site in three containers and a truck from the manufacturing factory , Yogyakarta (Central Java) Indonesia.

Dozens of workers were deployed to put up a statue. Statue of a horse were wrapped in plastic to avoid any damage and abrasions , slowly lifted by a crane to be placed on the foundation.

Mr. Dunadi, an Independent Studio owner and a sculptor explained that workmanship of Arjuna Wijaya statue took around six months. Boyolali Regency flushed up to 6 billion budget for the creation of the Statue of Arjuna Wijaya. The process started with the creation of drawings, mock-ups, models, till the finalization of printing process. "After the printing process started Copper Casting.